Monday, February 22, 2016
TEAM 206
LogLine:
“The journey of a student discovering which path to take that will lead to happiness”
Google Folder for Check 3:
Erika Raver:
-Walk cycle
-Head turn animation
-Finalize Animatic
Liane Lagtapon:
-rigging research
-collecting references for environmental models
-modeling environment props while following our chosen style of “low poly”.
Derek Beck:
Main Character Model:
created practice character body
created practice head
revised character body based on group input
researched way to low poly model to achieve style we desired
tested low poly modeling technique on rabbit head
Suree Yowell:
- Continued research on animation and mainly on timing charts (still trying to get the knack/understanding of them)
- Character Sheets for 3D team
- Finalized Character look for Late High School character (as well as color key for that section)
- Help in finalized camera shots in animatic and final execution of animation
Cammie Brown:
After Effects research for child like scribble effect
After Effects research for 2d Digital to 3D animation effect
Finalized Color Schemes
Scribble Effect Test on After Effects
More Notes
Taylor Stephens
Explanation: While exploring type I found that type is much the same as people. Each letterform must be created just as each individual person. As I continued to explore, I also became aware of how we interact with letterforms through sight and sound. We must recognize the shape and understand the sound.
- Working on learning more about how to manipulate expressions to obtain a more recognizable image
- Determining how the word is best spelled out (ie. one letter at a time on the screen, each letter transitioning in while overlapping, etc)
- Learned how to keyframe an expression and manipulate how that expression animates within After Effects (parenting, the use of sliders)
*Example videos could not be uploaded but are on my google drive*
https://drive.google.com/open?id=0B6PSMgi1omE2cnU2YWlzbFphRDg
Jackson Spencer VIST 206 Review 2/22 "Ocean Man"
Jackson Spencer "Ocean Man" VIST 206 Review 2/22
Project Notes:
Tide/shoreline concept:
LOGLINE: The ocean waves become one with a man.
Project Notes:
-2D onion skinning animation
-TVPaint
-TVPaint
-low contrast color (blues, B/W used for a few hightlights and shadow
-emphasis on flow and perspective
Calm, rolling waves bring a slowly rising tide to the shoreline, while a thunderstorm begins to brew far out in the middle of the ocean. The howling winds cause the ocean waves to undulate more and more intensely until a gigantic, crashing wave reaches its crest and starts to take the form of a man. As the waves rise, he bounds forwards, leaping and splashing and twisting fluidly. The force of the running man seems unstoppable, however as the speeding waves begin to approach the shore, they run into rocks and start to lose momentum, portrayed by the man becoming fatigued. Soon enough the crashing waves return to a calm tide as they lap at the shoreline once again.
Running concept:
Water dynamics study:
Run sequence for Ocean Man:
Mighty Mouse Review 2/22
Group: Mighty Mouse
Members:
Kelsey Grier
Jorge Macias
Lukas Kontilis
Christian Salinas
Logline: "A menacing snake attempts to feed on a mouse in a terrarium, however things don't go as planned."
The Blog
The Calendar
The Shot Sheet
Members:
Kelsey Grier
Jorge Macias
Lukas Kontilis
Christian Salinas
Logline: "A menacing snake attempts to feed on a mouse in a terrarium, however things don't go as planned."
The Blog
The Calendar
The Shot Sheet
The Grass Types - 2/22/2016
Group: The Grass Types
Members: Balee L, Campbell H, Catherine D, Kaitlyn E, Kendall T, Laura T, Sarah H, Taig L
Log line: A subject finds themselves in a utopian biome of super flora, only to discover that things are definitely not as they seem.
Member Work:
Overview:
Maps (Concept):
Below shows a top-down view of the terrain, with light values representing higher areas and dark lower. The map is designed to direct focus to the end point while providing multiple free routes to approach the end. Landmarks ground and provide a sense of continuity and interest to the player.
Below shows a top-down view of the terrain, with light values representing higher areas and dark lower. The map is designed to direct focus to the end point while providing multiple free routes to approach the end. Landmarks ground and provide a sense of continuity and interest to the player.
Environment (Concept):
Experimenting with scale and color for the low poly plant environment inviting the viewer to explore.
Experimenting with scale and color for the low poly plant environment inviting the viewer to explore.
Colors:
Official color palette.
Official color palette.
Models
Models based on concept work and low-poly design.
Models based on concept work and low-poly design.
Shaders:
Research was conducted on the various ways to make and apply shaders in unreal. A few test models are displayed below, some with translucent flat gradients and others with basic low poly shaders.
Research was conducted on the various ways to make and apply shaders in unreal. A few test models are displayed below, some with translucent flat gradients and others with basic low poly shaders.
VR (Research and Testing)
I have tested different methods of exporting to Unreal as well as researched procedural genertion.
The soundtrack and sound effects should lend to the idea of a peaceful and serene environment without distracting or overwhelming the player.
Team Redundancy Team Review 02.22.2016
Team Updates:
Logline:
You're in a plain, white room, with only a table and stacks of paper in front of you, when suddenly your imagination comes to life.
Team Blog
Brittany Wolfe [General Director, Overseer]
Nicole DeBolt [Production Management]
Ashley St. John [Technical Lead]
Jenny Martin [Art Lead]
Cody King [Rigging & Generalist]
Meena Subramanian [VR Specialist]
Randi Reynalds [Art Development]
Ben Laney [Modeling & Animation]
Logline:
You're in a plain, white room, with only a table and stacks of paper in front of you, when suddenly your imagination comes to life.
Team Blog
Brittany Wolfe [General Director, Overseer]
Nicole DeBolt [Production Management]
Ashley St. John [Technical Lead]
Jenny Martin [Art Lead]
Cody King [Rigging & Generalist]
Meena Subramanian [VR Specialist]
Randi Reynalds [Art Development]
Ben Laney [Modeling & Animation]
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